ࡱ> GIF 7bjbj\\ .6>i1g>i1g) bbbbbvvv8d$vz66666oqqqqqq$j  #\bbb66Zb6b6oo6$>k4[0|#|#8|#b P4|#X (: LPAC Literature Profile Academic Conference WEDNESDAY, May 5TH AND Friday, May 7th, 2021 from 12:00 to 2:00 ˺, Montreal, Quebec As part of the Arts, Literature, and Communication Festival, Literature Profile graduating students in Liana Bellons Integrating Activity course present their major, end-of-term projects in a series of four panels. Welcome statements: Jessica Gearey, Beatriz de Souza Neves, and Elessia Cantara Wednesday, May 5th 12:00 to 2:00 Panel One States of Mind This first panel, moderated by Natasha Zaman, focuses on literary explorations of gender and sexuality in Gothic literature, contemporary novels, and film. Madison Melanson Feminine Rage, Monstrous Women, and Gothic Literature: An Analysis of Kings Carrie and Jacksons We Have Always Lived in the Castle Beth Fecteau Pity any thing so hunted: Vampirism as Homosexuality in Stokers Dracula and Schumachers The Lost Boys Clara Jane Brydon Definitions of Love and Morality in Baldwins Giovannis Room and Jedrowskis Swimming in the Dark Emma Campbell A Woman in the Shape of a Monster: How Female Authors Fight Traditional Gender Roles Through Gothic Literature Panel Two The Individual and Society This panel, moderated by Matthew Daldalian, explores how particular characters either react against or succumb to their social and political environments. Adrian Liewfatt A Nonexistent Good Place: An Analysis of Totalitarian Regimes in Orwells 1984 and Atwoods The Handmaids Tale Alessandro Mortellaro Utopianizing Dystopias: An Analysis of Mores Utopia and Palahniuks Fight Club Victor Caraman The Quest for the Holy Grail: The American Dream in Fitzgeralds The Great Gatsby and Millers Death of a Salesman Ryan Drudik Lamenting Mortality: An Analysis of Nabokovs Lolita Caelean Vieira Surrendering Individualism: Totalitarian Dystopias in Huxleys Brave New World and Orwells 1984 Friday May 7th 12:00 to 2:00 Panel Three The Writers Craft This panel, moderated by Chaily Bitton, explores classic texts from ancient Greek tragedies to Renaissance plays and poems, and on to Romantic poetry, and poetry of the First World War. Athena Tsilimigakis Characters in Tragic Plays: An Analysis of Oedipus and Hamlet Rubi Huamani Quispe The Celebration of Ancient Rome in Dantes Divine Comedy Julie Jacques An Analysis of Religion in Wordsworths The World is Too Much with Us and Bronts Jane Eyre Hugo Barsacq-Camard Shifting Views of War Rhetoric in World War I Poetry and in Stanley Kubricks Paths of Glory Panel Four Restraints and Freedoms This panel, moderated by Kiara Colombo, studies gender roles and shifts from innocence to experience in biblical tales, childrens literature, Gothic literature, and in literature inspired by fairy tales. Jeanne Hope Feminine Virtue as Social Control: Moral Absolutism in Folklore Eli Turcotte Victorian Gender Roles in Gilmans The Yellow Wallpaper and Chopins Story of an Hour Gabrielle Pilon The child inside the book: An Analysis of Saint-Exuprys The Little Prince and Barries Peter and Wendy Saara Callum-Swain Modernizing Fairy Tales: An Analysis of Joan Didions Play it As it Lays and Joyce Carol Oatess Where Are You Going, Where Have You Been? Closing comments Presentation of the Literature Profile Award for Best Papers to Madison Melanson and Jeanne Hope     ,-.7=>@EKLRTZ[`mno " = \ ` h i j r ǿדxxxxxsnxjc hxh,lhiy h&6 hjV6h'hW6 hW6 h,l6 hp6hWhWOJQJhHOJQJh&OJQJhxhxH*OJQJhxOJQJh:OJQJhjVOJQJh}rOJQJhqEhWOJQJhqEhiyCJ0OJQJaJ0hqEhWCJ0OJQJaJ0%,.noi j * + 8   ' gdeg;gdxgd,l gd}rgdWr { | ~       " $ / < K U ꞚhxhxmH sH hKch_hjVheg;h,lh,lh,l5 hx5 h4i5 hiy5h4ihiy>* h4i>* h4i>*H*hiyhx>*H*hxhx>*hiy hxh,lhx hxhxh& hxhjV.  ) * + 1 2 7 8 T n o x y { ʥʓʆvh]heg;PJ]nH tH heg;5PJ\]nH tH hxheg;6PJ]nH tH heg;heg;PJnH tH heg;PJnH tH heg;5\]hxhx5\]hxhx6PJ]nH tH hxPJnH tH hxhxPJnH tH h,lh,l5 hx5h,lhxhxmH sH hxhx6mH sH "      & ' ) * I J mNmN0:h4ihiy6B*PJ]^Jehphrwh<heg;heg;B*PJ^JehmH phrsH wh4heg;heg;B*PJ^Jehphrwh<heg;heg;B*PJ^JehmHphrsHwhheg;heg;5PJ\nH tH heg;PJnH tH h,lPJnH tH hxhx6PJ]nH tH  heg;B*fHphq &heg;heg;B*fHphq ' Z [ k FU {| d1$gdeg; d*$gdeg;gdiygdeg;gd,l7$d%d&d'd(d)fNOPQRSgd4i  Y Z [ j k n  󹹯Ɩxxxihiyheg;mH nH sH tH "heg;heg;6]mH nH sH tH heg;mH nH sH tH heg;heg;mH nH sH tH heg;PJnH tH h4iPJnH tH heg;heg;PJnH tH heg;heg;5PJ\nH tH heg;hiy5PJ\nH tH h4i5PJ\nH tH heg;5PJ\nH tH )  $*;EFLTUs˻˥˥~~~qqgqqWJgqWheg;6PJ]nH tH heg;heg;6PJ]nH tH heg;PJnH tH heg;heg;PJnH tH  heg;5PJ\mH nH sH tH *heg;heg;5KHPJ\mH nHsH tH*heg;heg;6KHPJ]mH nHsH tHheg;KHPJmH nHsH tH$heg;heg;KHPJmH nHsH tH&heg;heg;5PJ\mH nH sH tH heg;PJmH nH sH tH   &'BCOUVXhlrsuyz{ðÚ{s{s{sssg{sssg{{heg;heg;6mH sH heg;mH sH heg;heg;mH sH &heg;heg;5PJ\mH nH sH tH *heg;heg;6KHPJ]mH nHsH tH$heg;heg;KHPJmH nHsH tHheg;KHPJmH nHsH tHheg;heg;5PJ\nH tH heg;6PJ]nH tH heg;heg;6PJ]nH tH #{|   5<NOTVrst{̻|xtpxtppppppppppppp|ldheg;heg;5h_heg;hjVh:h,lh,lh,l5 heg;5 h4i5h,lhiy5#h4ih,l>*PJmH nH sH tH h4i>*PJmH nH sH tH  h4i>*H*PJmH nH sH tH &hiyheg;>*H*PJmH nH sH tH #heg;heg;>*PJmH nH sH tH heg;PJmH nH sH tH %|st$34Agdiygdeg;gd,l  #$(:?XYopyȽ~o` *heg;]mH nH sH tH  *heg;6mH nH sH tH " *heg;heg;6mH nH sH tH  *heg;heg;mH nH sH tH  *heg;mH nH sH tH heg;heg;5heg;6\]heg;heg;6\]heg;heg;\heg;heg;5\]mH sH heg;heg;5\] heg;]heg;heg;6heg;heg;]"  23?CIPVW~ĹĹĹĪzzzzsziaa\\aaW\WW\W hiy] heg;]heg;heg;]heg;heg;5] h4i5] heg;5]heg;hiy5\]h4i5\]hiy5\]h&heg;5B*\ph *heg;heg;6]nH tH  *heg;]nH tH  *heg;heg;]nH tH heg;5B*\phheg;heg;5B*\ph( *heg;heg;5\]mH nH sH tH " 2348@A[adx} '(ʿ"hiyhiy5CJOJQJ\aJhiyhiy]mH sH hiyhiy6mH sH hiymH sH hiyhiymH sH hiyhiy5\mH sH hiyhiy6]hiyhiy]hiyhiy5\] heg;] hiy]6()+,./124567gdWgdeg;$a$gdiygdiy  (#gdiy(:;AMN[\^pq   ()*+,-./01234567hQ{jhQ{U hKch=N~ heg;5 h4i5 hjV5h:h=N~5h:h:5 hKchiyhiyhKc hKchKch,lheg;heg;]hiyheg;CJOJQJaJ"hiyhiy6CJOJQJ]aJhiyCJOJQJaJ-,1h/ =!"#$% x666666666vvvvvvvvv666666>6666666666666666666666666666666666666666666666666H666666666666666666666666666666666666666666666666666666666666666662 0@P`p2( 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p8XV~ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@66666 OJPJQJ_HmH nH sH tH L`L |Normal$CJOJPJQJ_HaJmH sH tH DA D Default Paragraph FontRiR 0 Table Normal4 l4a (k ( 0No List *W * |Strong5\8^8 | Normal (Web)DRR eg;0 Footnote TextCJOJPJQJ^JaJtH @/!@ eg;0Footnote Text ChartH @& 1@ eg;0Footnote ReferenceH*H`BH eg; No SpacingCJ_HaJmH sH tH PK![Content_Types].xmlN0EH-J@%ǎǢ|ș$زULTB l,3;rØJB+$G]7O٭Vj\{cp/IDg6wZ0s=Dĵw %;r,qlEآyDQ"Q,=c8B,!gxMD&铁M./SAe^QשF½|SˌDإbj|E7C<bʼNpr8fnߧFrI.{1fVԅ$21(t}kJV1/ ÚQL×07#]fVIhcMZ6/Hߏ bW`Gv Ts'BCt!LQ#JxݴyJ] C:= ċ(tRQ;^e1/-/A_Y)^6(p[_&N}njzb\->;nVb*.7p]M|MMM# ud9c47=iV7̪~㦓ødfÕ 5j z'^9J{rJЃ3Ax| FU9…i3Q/B)LʾRPx)04N O'> agYeHj*kblC=hPW!alfpX OAXl:XVZbr Zy4Sw3?WӊhPxzSq]y 7 #6 r {(7 ' |7 8@0(  B S  ?07')bjMT {      ) + , . / 1 2 4 8 'f h ( ) 8 3.&[jFT| #   4 ( ) + , . / 1 2 4 8    ( 8 5LDY,r p(dkC d .Kc:.^iqI{pZx:;0 !4!>! "[%w%&>'h*++.J0@1^203:34?5669Z:;*<=1I>ET>3n>;@7_@?AiC-GdH9$L` PzUjVqYVmW].[`ca_e4i/jd0j>msusuqwIUx{%{){Q{q`}=N~RW}r/Lb;N!`-3 &pH\)./`zQV,lTiyZ@J`6_=r.B|Gvy&"z|_zk4 G`X5:Q[k 1(5|SHu) + @   7 @Unknown G.[x Times New Roman5Symbol3. .[x ArialC^ Felix Titling7..{$ CalibriI Arial Unicode MS;5SimHeiўSO;*Yu MinchoC.,.{$ Calibri LightA$BCambria Math"qhy|t'2Otg Z3 3 !20# #  KHX  $P|2! xxNJ\  Bellon family Liana Bellon Oh+'0x  ( 4 @ LX`hpBellon familyNormalLiana Bellon10Microsoft Office Word@ @$@^&@,#>3  ՜.+,0 hp   Microsoft#   Title  !"#%&'()*+,-./012345789:;<=?@ABCDEHRoot Entry F$>JData 1Table$|#WordDocument.6SummaryInformation(6DocumentSummaryInformation8>CompObjr  F Microsoft Word 97-2003 Document MSWordDocWord.Document.89q